「所谓现代大都市，是对历史连续体进行『此处切割、彼处破坏』而推进的『人工性解体工程的集合体』，因此它是由裂痕构成的。在此诞生的艺术，必须以敏锐的眼光和现场感来表现这些裂痕的断面。」 ——藤田省三「『写真と社会』小史」
在不断推进与变化的巨大都市“东京”，随着无时无刻进行的新陈代谢，不间断产生着无数断片。而在这细小的断片落在个体之上，便是属于个人生活的「Days」（日々）。用写真去记录这些碎片，让这些碎片不断组合，便能逐渐勾勒出东京的模样
“What we call the modern metropolis is a ‘collection of engineered dismantlement projects’—where history’s continuum is persistently ‘severed here, destroyed there’—and therefore it is constituted by rifts. Art born in this context must employ a keen sensibility and a vibrant sense of presence to portray the cross‑sections of these fractures.”— Shōzō Fujita, A Brief History of “Photography and Society”
In the vast, ever‑evolving metropolis of Tokyo—with its ceaseless regeneration and continuous flux—countless fragments are endlessly produced. When these tiny fragments fall upon individuals, they become part of one’s personal life: the daily “Everyday.” By using photography to document these fragments, and continually recombining them, one can gradually outline the shape of Tokyo.
